{"title":"Politics, War, Propaganda","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWar and politics have always provided great material for posters and poster artists: during the First World War the artists of France who produced posters for La Patrie were called \"France's secret weapon\". Some of our favorites - like the Sailor and Soldiers Fund for Tobacco - evoke a time of rationing and fear, but do so in such a way as to make a poignant image last in our mind... \u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"soldiers-sailors-tobacco-fund","title":"1915 Original British Tobacco Poster - Soldiers and Sailors Tobacco Fund","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1915\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 40 x 56 inches\u003cbr\u003e\u003cb\u003eArtist: \u003c\/b\u003eBrangwyn, Frank\u003c\/p\u003e\n\u003cp\u003eThis is truly one of the most magnificent posters I have had in the gallery - now, or ever. Despite the fact that it is in black and white (or perhaps \u003cem\u003ebecause\u003c\/em\u003e it is bereft of color) it is as powerful as any poster, large or small, like any other, I have seen. The message is simple, and in our tobacco intolerant times, a little dated. But imagine yourself back almost a hundred years when smoking was one of the few simple pleasures \"our boys at the front\" could take with them.\u003c\/p\u003e\n\u003cp\u003eSetting aside the text altogether and looking at the image, you have a group of soldiers enjoying a smoke in a display of comradeship. On the lower right, the young men leave happily to war; their bayonets slung over their arms, ready - no, willing - to go off to certain death. To the left, in the background is the cathedral going up in smoke (yes, yes, I get the irony...) It is quite a masterpiece.\u003c\/p\u003e\n\u003cp\u003eBecause the poster is unsigned, I initially had a hard time finding its provenance, but like all posters, it has a history and a story: it was produced by a very well known and quite famous British artist by the name of Frank Brangwyn. According to Wikipedia: \"Sir Frank William Brangwyn RA RWS RBA (12 May 1867 – 11 June 1956) was an Anglo-Welsh artist, painter, watercolorist, virtuoso engraver and illustrator, and progressive designer.\"\u003c\/p\u003e","brand":"David Berkebile","offers":[{"title":"Default Title","offer_id":68594132,"sku":"DB011\/DB130 - upstairs tobacco","price":1940.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Sailors_and_Soldiers_Tobacco_Fund1.JPG?v=1571438286"},{"product_id":"rhodes","title":"1935 Italian Tourism Pamphlet - Map of Rhodes (Printed Recto\/Verso)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1935\u003cbr\u003e \u003cb\u003eSize: \u003c\/b\u003e9.5 x 4.5 inches (closed) 27 x 19 inches (open)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e The – now – Greek island of Rhodos was taken by Italy in 1912 when it belonged to Turkey, and given (back) to Greece in 1947. \u003c\/p\u003e\n\u003cp\u003eOf the history of Rhodes, Wikipedia writes: in 1912, Italy seized Rhodes from the Turks. The island's population thus bypassed many of the events associated with the 'exchange of the minorities' between Greece and Turkey. Due to the Treaty of Lausanne, the island, together with the Dodecanese, was officially assigned to Italy. It became the core of their possession of the Isole Italiane dell'Egeo. Following the Italian Armistice of September 8th, 1943, the British attempted to get the Italian garrison on Rhodes to change sides. This was anticipated by the German Army, which succeeded in occupying the island. In great measure, the German occupation caused the British failure in the subsequent Dodecanese Campaign.'\u003c\/p\u003e\n\u003cp\u003eMap is in very good condition and ready to frame.\u003cbr\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":68594732,"sku":null,"price":400.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/KBE0101-MapofRhodes6.jpg?v=1654627817"},{"product_id":"en-maneuvres-tracteur-chatillon","title":"1914 Original French Art Deco Poster - En Manoeuvres\/Tracteur Chatillon - Gamy","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1914\u003cbr\u003e \u003cb\u003eSize:  \u003c\/b\u003e32 x 17.25 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003eGamy, Marguerite Campion\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHaving observed the rapidly-growing interest in cars and racing during the early years of motor cars, Ernest Montaut produced his first motoring prints in the mid-1890s, and by 1897, his drawings were pictorial records of the many races in France.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMontaut's work was extremely well received in the Paris of his day and was shown in the fashionable shops of the Rue de l'Opera and Rue de la Paix, as well as in the better galleries.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMarguerite Montaut, Ernest's wife, joined him in his work. (While Marguerite Montaut's works were occasionally signed 'M. Montaut', she also used the name 'Gamy,' an anagram for Magy.)  The Gamy-Montaut prints were all produced by the pochoir process in which the outlines for each image were drawn onto lithographic stones and printed. Using these uncolored prints as a template, elaborate stencils were cut for each color. Water-colour was then brushed onto the image through the stencil. The coloring process was quite complex, with each print taking several days to produce. It was also quite labor intensive, and the studio of Gamy-Montaut employed a group of trained artists, including Nevil and Campion, to assist in the coloring.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOne of the elements of this piece we which love is the inclusion of horseback cavalry riders next to the automobiles which would soon replace them - the date of the piece, 1914, makes clear that change, and war, was just around the corner.\u003c\/p\u003e\n\u003cp\u003eThis poster is in excellent condition, ready to be framed.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":68594972,"sku":"FR212","price":1600.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Gamy_01.JPG?v=1571438288"},{"product_id":"oosterche-tapyten","title":"1916 Original Dutch Art Deco Poster - Oosterche Tapyten","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1916\u003cbr\u003e \u003cb\u003eSize:  \u003c\/b\u003e38.5 x 58 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003eJan Willem \"Willy\" Sluiter\u003c\/p\u003e\n\u003cp\u003eResearch has indicated that this work was the first color advertisement in the history of Dutch advertising. It appeared in the newspaper Algemeen Handelsblad on 16 April 1916 and was produced by the advertising agency Delamar. We love this remarkable comment on Dutch colonialization, race relations, trade … you name it, every stereotype presents itself in this magnificent work: the dandy, lorgnette at the ready wants to buy a carpet (tapijt) from the merchant … who in turn seems almost obsequiously ready to sell his wares.\u003c\/p\u003e\n\u003cp\u003eThis poster is rather rare - the Dutch weren't as prolific as the French or Belgians with their poster art - and its size, historical importance, and subject matter make it valuable and quite a find. Willy Jan Sluiter was known as a 'gentleman artist' who painted, produced commercial art and was a caricaturist.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":68595782,"sku":"OVER0022-advertisement","price":5000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Oostersche_Tapyten1.JPG?v=1571438289"},{"product_id":"gilbert-langevin","title":"1970s Quebec Contemporary Poster, Gilbert Langevin","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1970s\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cb\u003eSize:  \u003c\/b\u003e12.5 x 27 inches\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cb\u003eArtist: \u003c\/b\u003eAnonymous\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e The politics of the province of Quebec have always provided inspiration for it's homegrown poets, musicians, playwrights and composers. In the 1970s and 80s (and today!) there was a great uprising of nationalist sentiment amongst the French population of the province who felt that they had been treated as second-class citizens for too long. This social and political malaise was very evident in the outpouring of music and performance pieces - and posters of same - during that period.\u003c\/p\u003e\n\u003cp\u003eInternet research indicates that Langevin 1938-1995 was a poet and animator who worked extensively in the province. He was also a part of the show Songs and Poems of the Resistance - 1971 - to which I believe these posters refer. He won the Du Maurier prize posthumously in 1996, the Canadian Governor General Award in 1978 and the Alain-Grandbois prize in 1994. This poster was in the private collection of a noted jazz musician and producer and measures 12.5 x 27 inches.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":71423022,"sku":"","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/gilbert-langevin.jpg?v=1571438291"},{"product_id":"les-pompiers-de-nanterre-french-game","title":"1890s Original French Game Sheet, Les Pompiers De Nanterre","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1890s\u003cbr\u003e\u003cb\u003eSize:  \u003c\/b\u003e9.5 x 5.75 inches\u003cbr\u003e\u003cb\u003eNotes:\u003c\/b\u003e Poster, small poster, ephemera, framed\u003cbr\u003e\u003cb\u003eArtist: \u003c\/b\u003eAnonymous\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e This wonderful piece of 1890's ephemera came to me from a woman who is as fascinated by old paper as I am. The two of us spent hours staring at what are the paper prints of a military-type of board game issued in France - a game where there once appears to have been a key to who the figures were but that was lost centuries ago... the faces and characters are in and of themselves fairly fascinating and taken as a group these three pieces are a hoot, as well as an incredible historical find. In looking up board games and their history I came across a blog entry by someone which seemed to confirm some of what I had been thinking. To wit: \" ...the prints seem to me to contain a wealth of indirect evidence about things like customs and social status and attitudes to education and maybe a whole lot more besides... it's perhaps quite logical to most people and second nature to historians. That doesn't detract, for me, from the elegant thinking I see in deciding to sift through a pile of otherwise inconsequential illustrated material to learn more about history. That sort of detective work makes history more appealing, more alive somehow. ...\u003c\/p\u003e\n\u003cp\u003eIn the meantime, a few little excerpts from the 'The Development of the English Board Game, 1770 - 1850' by Caroline G. Goodfellow IN: The International Journal for the Study of Board Games. \"There are only a few basic methods of playing [board] games and over the past 250 years many thousands of variations have been created. The basic methods of play come down to four types – race games, strategy games, table games and card games. Many were originally developed for adults and were later adapted for children. [..] Many of the first publishers of games were in fact cartographers...\" (www.bibliodyssey.com Very cool!! When you look closely at the figures you can indeed see much of the social structure of French society - highbrow and lowbrow, just about everything is illustrated in these wonderful, unlined pieces. Piece measures 9.5 x 5.75 inches and is framed (15 x 13 inches final)\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":82488862,"sku":"FR024","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Picture_12.png?v=1571438313"},{"product_id":"nos-braves-reservistes-french-game","title":"1890s Original French Game Sheet, Nos Braves Reservistes (Framed)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1890s\u003cbr\u003e \u003cb\u003eSize:  \u003c\/b\u003e9.5 x 5.75 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e This wonderful piece of 1890's ephemera came to me from a woman who is as fascinated by old paper as I am. The two of us spent hours staring at what are the paper prints of a military-type of board game issued in France - a game where there once appears to have been a key to who the figures were but that was lost centuries ago... the faces and characters are in and of themselves fairly fascinating and taken as a group these three pieces are a hoot, as well as an incredible historical find. In looking up board games and their history I came across a blog entry by someone which seemed to confirm some of what I had been thinking.\u003c\/p\u003e\n\u003cp\u003eTo wit: \" ...the prints seem to me to contain a wealth of indirect evidence about things like customs and social status and attitudes to education and maybe a whole lot more besides... it's perhaps quite logical to most people and second nature to historians.\u003c\/p\u003e\n\u003cp\u003eWhen you look closely at the figures you can indeed see much of the social structure of French society - highbrow and lowbrow, just about everything is illustrated in these wonderful, unlined pieces. Piece measures 9.5 x 5.75 inches and is framed (15 x 13 inches final)\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":82489342,"sku":"FR025","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Picture_13.png?v=1571438313"},{"product_id":"ww1-french-poster-la-protection-du-reforme-renouard","title":"1916 Original French WWI Poster, La Protection Du Reforme (Linen Backed) Artist Signed","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1916\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 45.5 x 31.75 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster\u003c\/b\u003e: A French poster promoting the help available to discharged soldiers who were unable to attain pensions. Common to many posters, the white space at the right would have served to insert updated information and\/or images. This poster has been issued, for example, with a photograph taken by the famous Nadar of Prime Minister Georges Clemenceau. The gestural lines of the lithographic crayon and the war theme recall the posters of Steilen and Willette, and Renouard himself was obviously a gifted artist. He illustrated for publications such as L'Illustration, he was a court artist and was obviously hired as a poster designer.\u003c\/p\u003e\n\u003cp\u003eThe poster is without folds or foxing, and generally in excellent condition. It is linenbacked and measures 45.5 x 31.75 inches and initialed in the artists hand.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":89531012,"sku":"","price":950.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/la-protection-du-reforme-renouard-vintage-poster.jpg?v=1571438316"},{"product_id":"1916-italian-music-sheet-italia-reginia-gentium-batto","title":"1916 Original Italian Music Sheet, Italia Regina Gentium - Batto","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1916\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e 9 .75 x 13.75 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Batto\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eAbout The Poster: \u003c\/b\u003eA booklet of music sheets done in 1916 and featuring the colours of the Italian flag around what appears to be an Italianate column.   This is a 3 page songbook which was created for the Opera Nazionale Dopolavor (which loosely translates as the ITalian National Opera for After Work) with lyrics by Dott. Guido Fachinotti and music by Maestro Ilario Re.  There is some minor foxing and the cover page is separated from the rest of the book, but overall very good condition.  \u003c\/p\u003e\n\u003cp\u003eMusic sheets are a small form of ephemera which is highly collectable as it recalls a simpler period in history when language, music and cover art were integral components of culture. Purchased recently in Italy. \u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":160230152,"sku":"","price":100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/files\/1916ItalianMusicSheet_ItaliaReginaGentium_1.jpg?v=1692980400"},{"product_id":"french-wwii-poster-ships-lost","title":"1945 Original + Rare French WWII Poster, De L'Axe Coulees (Plus de 1,000,000 de tonnes\/More Than 1,000,000 Tons)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e c. 1945\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 19.75 x 30 inches\u003cbr\u003e \u003cb\u003eNotes:\u003c\/b\u003e Poster\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eAbout The Poster\u003c\/b\u003e: During WWII, posters not only continued to play an important role as promoters of motivation and patriotic fervour, but they also appealed \"to darker emotions such as anger at the cost of war - both human and financial. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Prpaganda, American War Posters).\u003c\/p\u003e\n\u003cp\u003eThis poster, titled \"Plus de 1 000 000 de tonnes de l'axe coulées dans la mer du Nord et dans la manche\" maps out all of the ships lost during the war and their location. It is a blunt visualization of the cost of war, intended to rally people's solidarity and help.\u003c\/p\u003e\n\u003cp\u003ePlease see photos (minor tears at the margins). Ready to frame. \u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Poster","offer_id":201306352,"sku":"PB012","price":380.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB012-1945Original_RareFrenchWWIIPoster_DeL_AxeCoulees7.jpg?v=1677090573"},{"product_id":"original-1960s-poster-john-f-kennedy-movie","title":"1960s Original French Film Poster, John F Kennedy Movie, Un Grand Homme Passe par Notre Chemin","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1960s\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e 63 x 45.5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e I believe this is the French movie poster for a film that in English was called Years of Lighting, Days of Drums… In doing research for the background of this poster, we looked at archival footage of Kennedy: his wife, his children, his humor and his speeches. His significance lingers even now, roughly 50 years after his death, and posters like this one remind us of his presence, his legacy and his youthful good looks.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003ePurchased in France, the poster is in excellent condition – unlined and showing fold lines, it is highly colored, stupendous and rare. \u003cbr\u003eA great gift for a history buff or Kennedy aficionado.\u003c\/span\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":220137056,"sku":"","price":550.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/un-grand-homme-passa-Kennedy.jpg?v=1571438336"},{"product_id":"original-canadian-wwi-victory-bond-emprunt-de-la-victoire","title":"1917 Original French Canadian WWI Victory Bond Poster, Emprunt de la Victoire","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1917\u003cbr\u003e \u003cb\u003eSize: \u003c\/b\u003e36 x 24 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Unknown\u003c\/p\u003e\nPosters are powerful propaganda tools. During the war, they served to reach and mobilize the population by various means and messages.\u003cspan\u003e \u003c\/span\u003eThis poster is promoting the purchase of Canadian victory bonds during the First World War. Canada's first domestic war loan was raised in November 1915, but it was not until the fourth campaign in 1917 that the term Victory Loan applied. This system is also useful as a means of controlling inflation in an overstimulated economy by removing money from circulation until after the war is concluded. Victory bonds did more than generate capital, they made civilians feel involved in their national militaries. The poster's french slogan 'hatons leur retour' (help them come home) is paired with the image of a tank driving on a road paved by loan certificates.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003eThis poster measures 36 x 24 inches, is in very good condition and comes from the fabled Hans Sachs Collection.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":324295029,"sku":"","price":1800.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/emprunt-de-la-victoire.jpg?v=1571438355"},{"product_id":"1939-french-art-deco-poster-loterie-nationale-advertisement-touchez-le-pompon-p-besniard","title":"1939 French Art Deco Poster, Loterie Nationale Advertisement \"Touchez le pompon\" - C. Marcoussis","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1939\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e  15.75 x 23.75 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e C. Marcoussis\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e Created in 1933, the French National Lottery became widely popular after the media coverage of \u003cb\u003e \u003c\/b\u003ebarber Paul Bonhoure's win of five million francs in the first draw. In a very enlightening article \"Loterie nationale : Mythes et symboles\" written in 1969, the influencial French journalist and author of many books on consumerism, education and advertising proposes an in-depth analysis of posters comissioned by the French lottery. The lottery was said to have hired some of France's best designers, developing a corpus of some of the most effective posters in history. This particular piece is signed in the plate by C. Marcoussis. \u003c\/p\u003e\n\u003cp\u003eRare and ready to frame.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":331583365,"sku":null,"price":475.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/files\/pompon.jpg?v=1718473517"},{"product_id":"original-general-post-office-poster-wireless-station-at-rugby-c-1950-john-cooper","title":"1950 Original General Post Office Poster, Wireless Station at Rugby - John Cooper","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e c. 1950\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e 25 x 20 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Cooper, John\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout the Poster:\u003c\/b\u003e This poster was produced by the British General Post Office (GPO, 1660-1969) and was meant to be displayed in schools across the Empire. The scene featured on this poster was designed by John Cooper and shows the Wireless Station near Rugby.  Poster measure 25\"W x 20\"H.\u003c\/p\u003e\n\u003cp\u003eRare and ready to frame.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Poster","offer_id":356355101,"sku":"PB239","price":500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/IMG_7504.jpg?v=1571438358"},{"product_id":"original-french-wwii-poster-victoire-desert-lybien","title":"1940-1945 Original French WWII Poster, Victoire \/ Desert Libyen (Libyan Desert)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e20 x 15 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eRare, ready to frame. Please see photos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889218897,"sku":"PB201","price":125.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB201-1940-1945OriginalFrenchWWIIPoster_Victoire_DesertLibyen1.jpg?v=1675461301"},{"product_id":"original-french-wwii-poster-victoire-on-envoie-un-message","title":"1940-1945 Original French WWII Poster, Victoire \/ On Envoie un Message (Signal Flags)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches\u003c\/p\u003e\n\u003cp\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/p\u003e\n\u003cp\u003eRare and ready to frame. From a private collection. Please see photos.\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889240389,"sku":"PB205","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB205-1940-1945OriginalFrenchWWIIPoster_Victoire_OnEnvoieunMessage1.jpg?v=1676128564"},{"product_id":"original-french-wwii-poster-victoire-la-marine-de-guerre-anglaise","title":"1940-1945 Original French WWII Poster, Victoire \/ La Marine de Guerre Anglaise","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eFrom a private collection, ready to frame. Rare. Please see photos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889254969,"sku":"PB208","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB208-1940-1945OriginalFrenchWWIIPoster_Victoire_LaMarinedeGuerreAnglaise4.jpg?v=1676136670"},{"product_id":"original-french-wwii-poster-victoire-les-mechaniciens","title":"1940-1945 Original French WWII Poster, Victoire \/ Les Mechaniciens (The Mechanics)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889264525,"sku":"PB210","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB210-1940-1945OriginalFrenchWWIIPoster_Victoire_LesMecaniciens1.jpg?v=1675972913"},{"product_id":"original-french-wwii-poster-victoire-un-des-canons","title":"1940-1945 Original French WWII Poster, Victoire \/ Un des Canons (A Canon)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReady to frame, please see photos. From a private collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889278509,"sku":"PB218","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB218-1940-1945OriginalFrenchWWIIPoster_Victoire_UndesCanons1.jpg?v=1676139914"},{"product_id":"original-french-wwii-poster-victoire-un-canon-camoufle","title":"1940-1945 Original French WWII Poster, Victoire \/ Un Canon Camouflé (Camoflage)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare, ready to frame. Please see photos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889280873,"sku":"PB219","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB219-1940-1945OriginalFrenchWWIIPoster_Victoire_UnCanonCamoufle1.jpg?v=1676141936"},{"product_id":"original-french-wwii-poster-victoire-la-transport-de-troupes","title":"1940-1945 Original French WWII Poster, Victoire \/ La Transport de Troupes (Troop Transport)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom a private collection. Rare and ready to frame. \u003cbr\u003ePlease see photos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889283305,"sku":"PB221","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB221-1940-1945OriginalFrenchWWIIPoster_Victoire_LaTransportdeTroupes1.jpg?v=1676056744"},{"product_id":"original-french-wwii-poster-victoire-des-lancaster-en-construction","title":"1940-1945 Original French WWII Poster, Victoire \/ Des \"Lancaster\" En Construction (Lancaster under Construction)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare, ready to frame. Please see photos.\u003cbr\u003eFrom a private collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889290809,"sku":"PB224","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB224-1940-1945OriginalFrenchWWIIPoster_Victoire_Des_Lancaster_EnConstruction1.jpg?v=1676135193"},{"product_id":"copy-of-original-french-wwii-poster-victoire-un-appareil-de-laeronavale","title":"1940-1945 Original French WWII Poster, Victoire \/ Un Appareil de L'aeronavale","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e19 x 15 inches \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare, ready to frame. From a private collection. Please see photos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":889299941,"sku":"PB226","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB226-1940-1945OriginalFrenchWWIIPoster_Victoire_UnAppareildeL_aeronavale1.jpg?v=1676132593"},{"product_id":"1940s-original-french-wwii-propaganda-poster-chefs-des-nations-alliees","title":"1940s Original French WWII Propaganda Poster, Chefs des Nations Alliées (Head of the Allied Nations)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940s\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 15 x 20 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003eAnonymous\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster\u003c\/b\u003e: \u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWant more information on the Allied leaders?\u003c\/strong\u003e Happy to help: \"Leopold III of Belgium \u003c\/span\u003ereigned as King of the Belgians from 1934 until 1951. Prior to the war Leopold had made extensive preparations against such an invasion of his country. After Belgium's surrender Leopold stayed to face the invaders, while his entire government had fled to Great Britain but, although he rejected cooperation with the German occupiers he also refused to actively resist many of their policies. He was held under house-arrest in Belgium for much of the war. Because the refusal to follow the orders of his government violated the Constitution, he was declared \"unable to rule\" and the issue sparked a\u003cspan\u003e post-war political crisis.\u003cbr\u003e\u003c\/span\u003eHubert Pierlot\u003cspan\u003e \u003c\/span\u003ewas the\u003cspan\u003e prime minister of Belgium\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003efrom 1939 until 1945. Pierlot became the leader of the government during the\u003cspan\u003e  Phoney War \u003c\/span\u003euntil the German invasion. Pierlot fled to Britain where he led the Belgian government in exile and presided over the formation of the Free Belgian forces\u003cspan\u003e.\u003c\/span\u003eDespite his conservative politics, Pierlot denounced the surrender of Leopold III and officially suspended his reign in 1940 by invoking a clause in the Belgian Constitution. The disagreement created a lasting animosity between the Royalist faction in Belgium and the exiled government in\u003cspan\u003e London\u003c\/span\u003e.\u003cbr\u003ePierre Ryckmans\u003cspan\u003e \u003c\/span\u003ewas Governor-General\u003cspan\u003e \u003c\/span\u003eof Belgium's principal African colony, the\u003cspan\u003e Belgian Congo,\u003c\/span\u003e for the duration of the war. Along with the Minister of the Colonies,\u003cspan\u003e Albert de Vleeschauwer,\u003c\/span\u003e Ryckmans brought the Congo into the war on the Allied side, amid worries that the colony might follow the lead of Leopold III in Belgium and attempt to remain neutral. During Ryckmans' period in office, Congolese troops were sent to support British forces in East Africa and the Congo made a substantial economic contribution\u003cspan\u003e \u003c\/span\u003eto the Allied war effort.\u003cbr\u003eVictor van Strydonck de Burkel\u003cb\u003e \u003c\/b\u003ewas a general of the Belgian Army,\u003cspan\u003e \u003c\/span\u003ewho commanded the 1st Military Zone during the invasion of Belgium. After Belgium's surrender in 1940, he became the Commander of Belgian forces in Great Britain, and presided over the formation of the Free Belgian force. After the liberation of Belgium he became the Chief of the Belgian Military Mission to Supreme Headquarters Allied Expeditionary Force. (Wikipedia)\u003c\/p\u003e\n\u003cp\u003eRare and ready to frame. From a private collection. Please see photos.\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Poster","offer_id":893650041,"sku":"PB163","price":600.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB163-1940sOriginalFrenchWWIIPropagandaPoster_ChefsdesNationsAlliees1.jpg?v=1676147767"},{"product_id":"1940s-original-american-wwii-poster-french-patriots-are-fighting-for-us","title":"1940s Original American WWII Poster, French Patriots are Fighting for Us","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1940s\u003cbr\u003e \u003cb\u003eSize: \u003c\/b\u003e14.5 x 19.5 inches\u003cbr\u003e \u003cb\u003eArtist:\u003c\/b\u003e Unknown\u003c\/p\u003e\n\u003cp\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour, they also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/p\u003e\n\u003cp\u003ePoster is unlined and in very good condition. Please see photos.\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Poster","offer_id":893660509,"sku":"PB164","price":450.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB164-1940sOriginalAmericanWWIIPoster_FrenchPatriotsareFightingforUs1.jpg?v=1675616401"},{"product_id":"original-french-wwii-poster-de-gaulle-a-la-suite","title":"1940-1945 Original French WWII Political Poster, De Gaulle, Honneur et Patrie (Portrait)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940s\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 19 x 22 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Unknown\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster\u003c\/b\u003e: \u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCharles André Joseph Marie de Gaulle was a French army officer and statesman who led Free France against Nazi Germany in World War II and chaired the Provisional Government of the French Republic from 1944 to 1946 in order to restore democracy in France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare, ready to frame. From a private collection. Please see photos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Poster","offer_id":893678841,"sku":"PB170","price":350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB170-1940-1945OriginalFrenchWWIIPoster_DeGaulle_HonneuretPatrie1.jpg?v=1676147108"},{"product_id":"original-french-wwii-poster-la-france-avec-nous","title":"1940-1945 Original French WWII Poster, La France Avec Nous","description":"\u003cdiv\u003e\n\u003cb\u003eDate: \u003c\/b\u003e1940-1945\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 30 x 20 inches\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Unknown\u003cb\u003e \u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eInformation about the poster: \u003cbr\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source: Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRare and ready to frame. Please see photos. \u003c\/span\u003e\u003c\/div\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":893807029,"sku":"PB193","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB193-1940-1945OriginalFrenchWWIIPoster_LaFranceAvecNous1.jpg?v=1677092500"},{"product_id":"copy-of-original-french-wwii-poster-150th-anniverssary-of-la-marseillaise","title":"1940-1945 Original French WWII Poster, Un Seul Combat Pour Une Seule Patrie","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940s\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003e15 x 19.5 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Knopf\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Philippe Boisvert","offers":[{"title":"Default Title","offer_id":893822389,"sku":"PB180","price":375.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Aux_Armes_Citoyens_-_Un_seul_combat_patrie1.JPG?v=1571438371"},{"product_id":"1940s-original-french-wwii-poster-que-tes-armes-soient-benies","title":"1940s Original French WWII Poster, Que tes Armes Soient Bénies (May Your Arms be Blessed)","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1940s\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 11.25 x 17 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003eAnonymous\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster\u003c\/b\u003e: \u003cspan\u003eDuring WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealed \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare and in overall very good condition with obvious folds\/creases. Please see photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Philippe Boisvert","offers":[{"title":"Poster","offer_id":897654569,"sku":"PB172","price":325.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/PB172-1940sOriginalFrenchWWIIPoster_QuetesArmesSoientBenies.jpg?v=1675457744"},{"product_id":"2004-contemporary-poster-la-revue-de-lannee-des-zapartistes-large","title":"2004 Contemporary Poster, La revue de l'année des Zapartistes (Large)","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDate: \u003c\/b\u003e2004\u003cbr\u003e\u003c\/span\u003e\u003cb\u003eSize: \u003c\/b\u003e24 x 36 inches\u003cbr\u003e\u003cb\u003eArtist: \u003c\/b\u003eTomasz Walenta\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p2\"\u003eThis is an original poster featured in the 2014 contemporary poster exhibition:\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom Sub-Culture to Mainstream, the Evolving Poster Art of Publicité Sauvage.\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eMontrealers are fortunate to live in a city that has always celebrated posters and street art.  Although posters have adorned hoardings and buildings in and around our metropolis for over a century, over the last three decades the engine for this urban conversation has been the locally grown poster company \u003cb\u003e\u003cb\u003ePublicité Sauvage\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eFor the exhibition, Karen Etingin, the owner of L’Affichiste, and Isabelle Jalbert, the Director of \u003cb\u003ePublicité Sauvage,\u003c\/b\u003e selected 50 posters from the vast \u003cb\u003ePublicité Sauvage\u003c\/b\u003e archives - each a visual reference to the concerts, exhibitions and events that have taken place in Montreal over the last 27 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\" mce-data-marked=\"1\"\u003eIn excellent condition, ready to frame. We have two versions of this poster, this one is the large.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tomasz Walenta","offers":[{"title":"Default Title","offer_id":973173245,"sku":"TW054","price":225.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/2004_24X36_a1caa1a5-57b0-4718-8f7e-90e28bd60e14.jpg?v=1610488075"},{"product_id":"1980-original-polish-poster-samuel-zborowski-starowieyski","title":"1980 Original Polish Theater Poster Samuel Zborowski - Starowieyski","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1980\u003cbr\u003e\u003cb\u003eSize:  \u003c\/b\u003e26.5 x 36 inches\u003cbr\u003e\u003cb\u003eArtist: \u003c\/b\u003eStarowieyski, Franciszek\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Artist:\u003c\/strong\u003e Franciszek Andrzej Bobola Biberstein-Starowieyski (July 8, 1930 in Bratkówka, Poland – February 23, 2009) was a Polish artist. From 1949 to 1955 he studied at Academy of Fine Arts in Kraków and Warsaw.[2] He specialized in poster, drawing, painting, stage designing, and book illustration. He was a member of Alliance Graphique International (AGI). Throughout his career his style deviated from the socialist realism that was prevalent during the start of his career and the popular, brightly colored Cyrk posters, however he did create one Cyrk poster 'Homage to Picasso' in 1966. He was the first Polish artist to have a one man show at the Museum of Modern Art (MoMA) in New York in 1986.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the poster: \u003c\/strong\u003eThis is a poster for a play based on Juliusz Słowackidram Samuel Zborowski.\u003c\/p\u003e\n\u003cp\u003eJuliusz Słowacki (4 September 1809 – 3 April 1849) was a Polish Romantic poet. He is considered one of the \"Three Bards\" of Polish literature — a major figure in the Polish Romantic period, and the father of modern Polish drama. His works often feature elements of Slavic pagan traditions, Polish history, mysticism and orientalism. His style includes the employment of neologisms and irony. His primary genre was the drama, but he also wrote lyric poetry. \u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003eSamuel Zborowski\u003c\/strong\u003e (died 1584) was a Polish military commander and a notable member of the szlachta (Polish nobility). He is best remembered for having been executed by supporters of the Polish king Stefan Batory and chancellor Jan Zamoyski; an event which caused much uproar among the contemporary Polish nobility.\u003c\/p\u003e","brand":"Marc Choko","offers":[{"title":"Default Title","offer_id":1013080941,"sku":"MC654","price":500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/files\/MC6541980SamuelZborowski1.jpg?v=1716488596"},{"product_id":"1960s-chinese-propaganda-poster-dog-head-smashed-anonymous","title":"1967 Chinese Propaganda Poster Reprint, Dog Head Smashed (1980's re-issue)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1967, 1980s re-issue\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 30 x 20 inches\u003cbr\u003e\u003cb\u003eArtist: \u003c\/b\u003e\u003cspan class=\"st\"\u003ePeople's Fine Arts Publishing House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePropaganda posters of Mao Zedong can be traced back to the 1940s, but the god-like images of him produced in the 1960s are unparalleled. According to chineseposters.net \"the Army became responsible for art. This art should unite and educate the people, inspire the struggle of revolutionary people and eliminate the bourgeoisie. [...] Proletarian ideology, communist morale and spirit, revolutionary heroism were the messages of a new type of hyper-realism that took precedence over style and technique and that differed in all aspects from art creation until then. The color red was heavily featured; it symbolized everything revolutionary, everything good and moral; the color black, on the other hand, signified precisely the opposite. Color symbolism continued to be important in the following years, not only in visual propaganda, but in printed propaganda as well.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en\"\u003eThis poster's caption translates to: \"He who opposes Chairman Mao will have his dog head smashed.\" Professionally linen backed, this poster is a 1980s reprint of the 1967 first-edition propaganda poster. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":6111179137,"sku":"","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Oppose_Chairman_Mao1.JPG?v=1571438385"},{"product_id":"original-1918-french-poster-going-to-the-retreat-signed-jean-louis-forain","title":"1918 Original French Poster, To The Retreat, signed - Jean-Louis Forain","description":"\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1918\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003eSize: \u003c\/b\u003e\u003cspan\u003e 22.25 x 15.5 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cb\u003eArtist: \u003c\/b\u003e\u003cspan\u003eJean-Louis Forain\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster:\u003c\/b\u003e This black and white lithograph poster is dated as being made July 10, 1918, and we know that it was published in an old French magazine called \u003cem\u003eOui!\u003c\/em\u003e (or \"Yes!\" in English). It is signed in the plate, and its edition number (137\/300) is also indicated in pencil. Its original title is « Déplacement et villégiature » which directly translates from French as 'moving\/travelling and resort\/sojourn'. A 'villégiature' was originally an Italian idea born in the Renaissance. While there is no real English equivalent (at least not that we've found!), it basically describes vacationing away from the home, typically in the countryside.\u003c\/p\u003e\n\u003cp\u003eThe original print shows two old men whose dialogue is indicated on the lower left-hand side of the image:\u003c\/p\u003e\n\u003cp\u003e- Où va-t-il celui-là? ... À St Jean de Luz!\u003cbr\u003e- C'est leur Chemin des Dames\u003c\/p\u003e\n\u003cp\u003eWhich translates to: \u003cbr\u003e- Where is he going? To St. Jean de Luz!\u003cbr\u003e- It's their Chemin des Dames\u003c\/p\u003e\n\u003cp\u003eChemin des Dames (literally, \"Ladies' path\") was of strategic importance in the early nineteenth century's Battle of Craonne, and also in the First World War when it was used for the three Battle of the Aisne.\u003c\/p\u003e","brand":"Nelson Cazeils","offers":[{"title":"Poster","offer_id":14193979399,"sku":"NC011","price":750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Soldiers.JPG?v=1571438391"},{"product_id":"1880s-north-west-mounted-police-lithograph-matted-schell-and-hogan","title":"1880s North-West Mounted Police Lithograph, Matted - Schell and Hogan","description":"\u003cdiv\u003e\n\u003cstrong\u003eDate\u003c\/strong\u003e: 1880s\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSize:\u003c\/strong\u003e Matted to 12 x 16 inches\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eArtists:\u003c\/strong\u003e Schell and Hogan\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Poster:\u003c\/strong\u003e The North-West Mounted Police was a Canadian police force established in 1873 to ensure a lawful region for European settlers. In 1920, the force merged with the Dominion police and became the current Royal Canadian Mounted Police. This lithograph presents three Mounties with their horses. Their appearances reflect their purposes: an efficient police force, ready to implement the law in Western Canada.\u003cspan face=\"arial\" style=\"font-family: arial;\"\u003e\u003cspan size=\"+1\" style=\"font-size: xx-small;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSchell and Hogan had a partnerships that lasted for thirty years, they were both illustrators and lithographers. Schell was better known for his wartime works, 211 of which were published in Frank Leslie's Illustrated Newspaper. Schell's work was also published in \u003cem\u003eCentury\u003c\/em\u003e magazine,  \u003cem\u003eBeyond the Mississippi\u003c\/em\u003e (Hartford, 1869) and  \u003cem\u003eBattles and Leaders of the Civil War\u003c\/em\u003e (The Century Company, 1884-1887).  \u003ca href=\"http:\/\/dla.library.upenn.edu\/cocoon\/dla\/pacscl\/ead.html?sort=date_added_sort%20desc\u0026amp;id=PACSCL_HSP_PHM21\u0026amp;\" title=\"Source\" target=\"_blank\"\u003e(Source)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRecently matted in pale beige, this lithograph is ready to frame.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":19842533447,"sku":"CNDN006","price":125.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/MountedPolice.JPG?v=1571438397"},{"product_id":"1900s-academical-poster","title":"1920 French Scholastic Poster, La Grande Guerre 1914-1918 PAX (Horizontal)","description":"\u003cdiv\u003e\n\u003cstrong\u003eDate: \u003c\/strong\u003ec. 1920\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSize: \u003c\/strong\u003e41.25 x 34 inches\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003eArtist: \u003c\/strong\u003eJacques Onfroy de Bréville known as JOB\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the poster: \u003c\/strong\u003eThis piece is 1 of 12 scholastic posters edited by the French publisher Delagrave. This poster is the twelfth of the series, and represents peace setting in after the Great War of 1914-1918. Divided in two parts, on the left you can see a destroyed house and dry soil. A reminder of the damages war brought onto the people. Whilst on the right, the land is being cultivated, the country is alive again, a family is together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist: \u003c\/strong\u003eBorn in Bar-le-Duc in 1858 in France, Jacques Onfroy de Bréville was a draftsman, a cartoonist and an illustrator. He studied in the École des Beaux-Arts and he is part of the exhibit at the Salon des artistes Français in 1886. He then starts is career as a draftsman for French satirical magazines such as \u003cem\u003eLa Nouvelle Lune\u003c\/em\u003e and \u003cem\u003eLa Caricature\u003c\/em\u003e. Mostly known for children's book illustrations, his colourful compositions helped maintain the cult of the national hero. \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Unlined","offer_id":42712214372564,"sku":"KBE","price":175.0,"currency_code":"CAD","in_stock":true},{"title":"Lined","offer_id":42712214405332,"sku":"KBE-2","price":275.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Grande_Guerre.Pax1.JPG?v=1571438401"},{"product_id":"1893-french-cavalry-lithographs-firmin-didot-vallet-set-1","title":"1893 French Cavalry Lithographs, Firmin Didot - Vallet (Set #4)","description":"\u003cb\u003eDate:\u003c\/b\u003e 1893\u003cbr\u003e \u003cb\u003e Size:\u003c\/b\u003e 10 x 13 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e L. Vallet\u003cbr\u003e\n\u003cdiv\u003e\n\u003cb\u003eInformation\u003c\/b\u003e: For more details, please call 514 656 3301 \u003cbr\u003e \u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eTwo lithographs from Croquis de Cavalerie printed in Paris by Firmin Didot in 1893. Each sheet is signed in the stone by L. Vallet who, prior to becoming an artist, was himself a member of the French cavalry. \u003c\/span\u003e A perfect gift for a horse lover or anyone who loves vintage ephemera.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSet 4: Plate A) Dragoon Officer; 1838. Plate B) Arrangement; Cuirassier (Regiment no 5).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":25879066823,"sku":"FR036","price":140.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/FR036-1893FrenchCavalryLithographs_FirminDidot-Vallet_Set_4_1.jpg?v=1656954904"},{"product_id":"1893-french-cavalry-lithographs-firmin-didot-vallet-set-29","title":"1893 French Cavalry Lithographs, Firmin Didot - Vallet (Set #29)","description":"\u003cb\u003eDate:\u003c\/b\u003e 1893\u003cbr\u003e \u003cb\u003e Size:\u003c\/b\u003e 10 x 13 inches (each)\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e L. Vallet\u003cbr\u003e\n\u003cdiv\u003e\n\u003cb\u003eInformation\u003c\/b\u003e: For more details, please call 514 656 3301 \u003cbr\u003e \u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eTwo lithographs from Croquis de Cavalerie printed in Paris by Firmin Didot in 1893. Each sheet is signed in the stone by L. Vallet who, prior to becoming an artist, was himself a member of the French cavalry. \u003c\/span\u003e A perfect gift for a horse lover or anyone who loves vintage ephemera.\u003c\/p\u003e\n\u003cp\u003eSet 29: Plate A) Mounted officer of the Emperor's Hussard's, Plate B) Drummer of the Cuirassiers of the Empress. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":25975202887,"sku":"FR034","price":140.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/FR034-1893FrenchCavalryLithographs_FirminDidot-Vallet_Set_29_1.jpg?v=1656955909"},{"product_id":"1893-french-cavalry-lithographs-firmin-didot-vallet-set-13","title":"1893 French Cavalry Lithographs, Firmin Didot - Vallet (Set #13)","description":"\u003cb\u003eDate:\u003c\/b\u003e 1893\u003cbr\u003e \u003cb\u003e Size:\u003c\/b\u003e 10 x 13 inches (each)\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e L. Vallet\u003cbr\u003e\n\u003cdiv\u003e\n\u003cb\u003eInformation\u003c\/b\u003e: For more details, please call 514 656 3301 \u003cbr\u003e \u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eTwo lithographs from Croquis de Cavalerie printed in Paris by Firmin Didot in 1893. Each sheet is signed in the stone by L. Vallet who, prior to becoming an artist, was himself a member of the French cavalry. \u003c\/span\u003e A perfect gift for a horse lover or anyone who loves vintage ephemera.\u003c\/p\u003e\n\u003cp\u003eSet 13: Plate A) Officers of Hussars and Cuirassiers of the Guard, Plate B) Guides of Murat; Kingdom of Naples, 1812.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":25979499335,"sku":"FR030","price":140.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/FR030-1893FrenchCavalryLithographs_FirminDidot-Vallet_Set_13_1.jpg?v=1661620329"},{"product_id":"1893-french-cavalry-lithographs-firmin-didot-vallet-set-2","title":"1893 French Cavalry Lithographs, Firmin Didot - Vallet (Set #2)","description":"\u003cb\u003eDate:\u003c\/b\u003e 1893\u003cbr\u003e \u003cb\u003e Size:\u003c\/b\u003e 10 x 13 inches (each)\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e L. Vallet\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eTwo lithographs from Croquis de Cavalerie printed in Paris by Firmin Didot in 1893. Each sheet is signed in the stone by L. Vallet who, prior to becoming an artist, was himself a member of the French cavalry. \u003c\/span\u003e A perfect gift for a horse lover or anyone who loves vintage ephemera.\u003c\/p\u003e\n\u003cp\u003eSet 2: Plate A) Officers of the Neumarck Dragoons (Regiment No. 3) and of the Brunswick Hussards (Regiment No. 17). Plate B) Officers in Small Outfit\u003c\/p\u003e\n\u003c\/div\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":25981670215,"sku":"FR032","price":140.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/FR032-1893FrenchCavalryLithographs_FirminDidot-Vallet_Set_2_1.jpg?v=1656957114"},{"product_id":"1918-original-american-propaganda-poster-help-him-win-by-saving-and-serving","title":"1918 Original American Propaganda Poster, Help Him Win by Saving and Serving","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1918\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 20 x 30 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Unknown\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cstrong\u003eAbout the Poster: \u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eIn an attempt to convince the American population to buy bonds and therefore finance the war effort, propaganda posters often resorted to guilting people into donating their money. Rather than advertizing war bonds (which could cost thousands of dollars and were usually directed at the higher classes, large companies, and financial institutions), this poster asks that people buy war savings stamps. Different from postal savings stamps, they were still distributed through the Post Office and could be purchased at a much lower cost - making them more attainable to the \"ordinary citizen\".\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eThis message is conveyed through the image on the poster of a young boy and girl each clasping a hand of senior officer John J. Pershing. The solemn expression of the soldier and the admiring upward glances of the children insinuate that there is no better way to spend your money than by donating to the war effort. Doing so serves a much higher purpose than anything else a child could use their money for.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":38833935559,"sku":"KBE","price":410.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Help_him_win_by_saving_and_serving1.JPG?v=1571438417"},{"product_id":"2017-cuban-expo-guernica-80-years-poster-typography","title":"2017 Cuban Expo Guernica (80 Years) Poster, Typography","description":"\u003cp\u003e\u003cstrong id=\"tinymce\" class=\"mce-content-body \" data-id=\"product-description\" style=\"overflow-y: auto; padding-left: 0px; padding-right: 0px; padding-bottom: 0px;\" role=\"textbox\" aria-label=\"Description\" aria-multiline=\"true\" contenteditable=\"true\"\u003e\u003c\/strong\u003e\u003cstrong id=\"tinymce\" class=\"mce-content-body \" data-id=\"product-description\" style=\"overflow-y: auto; padding-left: 0px; padding-right: 0px; padding-bottom: 0px;\" role=\"textbox\" aria-label=\"Description\" aria-multiline=\"true\" contenteditable=\"true\"\u003eDate:\u003c\/strong\u003e 2017\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 19.5 x 27.5 inches\u003cbr\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eErick Ginard\u003c\/p\u003e\n\u003cp\u003eAs opposed to the French who pioneered the lithographic process, Cuban poster production in the 1950s and 60s was primarily centered around silk screening. Images were built up through layers of paint rather than ink, resulting in a poster which more closely resembled a painting than a litho. The printing tradition continues with CartelON, a project devoted to promoting silkscreening in Cuba by organizing graphic design contests where creatives of all ages can be inspired to explore screenprinting. \u003c\/p\u003e\n\u003cp\u003eThis poster by Erick Ginard won second place in a design competition centered around the 80th anniversary of the bombing of Guernica. The event saw the aerial bombing of the Basque town of Guernica during the Spanish Civil War in April 1937. Carried out by the allies of Francisco Franco's nationalist government, it gained controversy for involving the bombing of civilians by military air force. It became the subject of Pablo Picasso's famous anti-war painting commissioned by the Spanish Republic.\u003c\/p\u003e\n\u003cp\u003ePoster is numbered, dry-stamped, and hand-signed by the artist. Unlined and in excellent condition!\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":49205655891,"sku":"KBE","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Guernica_typography1.JPG?v=1571438429"},{"product_id":"1940s-original-british-wwii-poster-you-can-help-me-build-a-plane","title":"1940s Original British WWII Poster, You Can Help Me Build A Plane","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1940s\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 10 x 15 inches\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout The Poster\u003c\/b\u003e: During WWII, not only did posters continue to play their important role as vectors of motivation and patriotic fervour. They also appealled \"to darker emotions such as anger at the human cost of war. The appeal of posters also lies in the use of familiar images and expressions. Graphic artists combined their skill with advertising copywriters to sway public opinion and unite people in support of the war effort. The posters’ effectiveness arises from complex designs of words and symbols to communicate, invite action and build consensus.\" (Source : Australian National Wartime Museum, Patriotism, Persuasion, Propaganda, American War Posters).\u003c\/p\u003e\n\u003cp\u003eThis poster encourages citizens to volunteer to the help the war effort. In excellent condition.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":51357616787,"sku":"KBE","price":375.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/fullsizeoutput_1004_47a4128b-a8c4-4693-8bb1-43de7b24f8e7.jpeg?v=1571438432"},{"product_id":"1966-chinese-propaganda-poster-reprint-end-of-a-generation","title":"1966 Chinese Propaganda Poster Reissue, End of a Generation (1980s Reissue)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1966, reprinted in 1980s\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 30 x 20 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003e\u003cspan class=\"st\"\u003ePeople's Fine Arts Publishing House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePropaganda posters of Mao Zedong can be traced back to the 1940s, but the god-like images of him produced in the 1960s are unparalleled. According to chineseposters.net \"the Army became responsible for art. This art should unite and educate the people, inspire the struggle of revolutionary people and eliminate the bourgeoisie. [...] Proletarian ideology, communist morale and spirit, revolutionary heroism were the messages of a new type of hyper-realism that took precedence over style and technique and that differed in all aspects from art creation until then. The color red was heavily featured; it symbolized everything revolutionary, everything good and moral; the color black, on the other hand, signified precisely the opposite. Color symbolism continued to be important in the following years, not only in visual propaganda, but in printed propaganda as well.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en\"\u003eThis poster's message translates to: \"The end of a generation - Mao Zedong.\" Professionally linen backed, this poster is a 1980s reprint of the 1966 first-edition propaganda poster. \u003c\/span\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":5249877082149,"sku":"KBE","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/End_of_a_Generation1.JPG?v=1571438444"},{"product_id":"1967-chinese-propaganda-poster-reprint-do-not-fight-to-fight","title":"1967 Chinese Propaganda Poster Reprint, Do Not Fight to Fight (1980s Re-issue)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e August 1967, 1980s reissue\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 30 x 20 inches\u003cbr\u003e\u003cb\u003eArtist: \u003c\/b\u003e\u003cspan class=\"st\"\u003ePeople's Fine Arts Publishing House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePropaganda posters of Mao Zedong can be traced back to the 1940s, but the god-like images of him produced in the 1960s are unparalleled. According to chineseposters.net \"the Army became responsible for art. This art should unite and educate the people, inspire the struggle of revolutionary people and eliminate the bourgeoisie. [...] Proletarian ideology, communist morale and spirit, revolutionary heroism were the messages of a new type of hyper-realism that took precedence over style and technique and that differed in all aspects from art creation until then. In the PLA paintings of the time, the color red featured heavily; it symbolized everything revolutionary, everything good and moral; the color black, on the other hand, signified precisely the opposite. Color symbolism continued to be important in the following years, not only in visual propaganda, but in printed propaganda as well.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en\"\u003eThis poster's message along the left margin translates to: \"Do not fight to fight\" while the white characters against the red background read: \"Hold high the great red flag of Mao Zedong's thought and completely destroy the bourgeois government.\" Professionally linen backed, this poster is a 1980s reprint of the August 1967 first-edition propaganda poster. \u003c\/span\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":5254066733093,"sku":"KBE","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Do_not_fight_to_fight1.JPG?v=1571438444"},{"product_id":"1960s-chinese-propaganda-poster-reprint-counterrevolutionaries","title":"1960s Chinese Propaganda Poster Reissue, Counterrevolutionaries (1980s Reissue)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1960s, reprinted in 1980s\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 30 x 20 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003e\u003cspan class=\"st\"\u003ePeople's Fine Arts Publishing House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePropaganda posters of Mao Zedong can be traced back to the 1940s, but the god-like images of him produced in the 1960s are unparalleled. According to chineseposters.net \"the Army became responsible for art. This art should unite and educate the people, inspire the struggle of revolutionary people and eliminate the bourgeoisie. [...] Proletarian ideology, communist morale and spirit, revolutionary heroism were the messages of a new type of hyper-realism that took precedence over style and technique and that differed in all aspects from art creation until then. In the PLA paintings of the time, the color red featured heavily; it symbolized everything revolutionary, everything good and moral; the color black, on the other hand, signified precisely the opposite. Color symbolism continued to be important in the following years, not only in visual propaganda, but in printed propaganda as well.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en\"\u003eThis poster's message translates to: \"We must find the party's counterrevolutionaries,\" a comment on their enemies, the bourgeois. Professionally linen backed, this poster is a 1980s reprint of the 1960s first-edition propaganda poster. \u003c\/span\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":5254713704485,"sku":"KBE","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Counterrevolutionaries1.JPG?v=1571438444"},{"product_id":"1967-chinese-propaganda-poster-reprint-thunderbolt","title":"1967 Chinese Propaganda Poster Reissue, Thunderbolt (1980s Reissue)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1967\u003cbr\u003e \u003cb\u003eSize:\u003c\/b\u003e 30 x 20 inches\u003cbr\u003e \u003cb\u003eArtist: \u003c\/b\u003e\u003cspan class=\"st\"\u003ePeople's Fine Arts Publishing House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePropaganda posters of Mao Zedong can be traced back to the 1940s, but the god-like images of him produced in the 1960s are unparalleled. According to chineseposters.net \"the Army became responsible for art. This art should unite and educate the people, inspire the struggle of revolutionary people and eliminate the bourgeoisie. [...] Proletarian ideology, communist morale and spirit, revolutionary heroism were the messages of a new type of hyper-realism that took precedence over style and technique and that differed in all aspects from art creation until then. The color red was heavily featured; it symbolized everything revolutionary, everything good and moral; the color black, on the other hand, signified precisely the opposite. Color symbolism continued to be important in the following years, not only in visual propaganda, but in printed propaganda as well.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en\"\u003eThis poster's caption translates to: \"Thunderbolt opened Xinyu gun hit headquarters.\" Professionally linen backed, this poster is a 1980s reprint of the 1967 first-edition propaganda poster. \u003c\/span\u003e\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":5255387086885,"sku":"KBE","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Thunderbolt_hit_headquarters1.JPG?v=1571438444"},{"product_id":"1917-leslies-illustrated-weekly-newspaper-set-of-2","title":"1917 Leslie's Illustrated Weekly Newspaper (set of 2)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e March 22 1917 and March 29 1917\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.5 x 14 inches\u003cbr\u003e\u003cstrong\u003eArtists:\u003c\/strong\u003e L. A. Shafer and Charles Sarka\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFrank Leslie's Illustrated Newspaper\u003c\/i\u003e, later renamed \u003ci\u003eLeslie's Weekly\u003c\/i\u003e, was an American illustrated literary and news magazine founded in 1855 and published until 1922. It was one of several magazines started by publisher and illustrator Frank Leslie. Throughout its decades of existence, the weekly provided illustrations and reports—first with wood engravings and daguerreotypes, later with more advanced forms of photography—of wars from John Brown's raid at Harpers Ferry and the Civil War until the Spanish-American War and the First World War.\u003c\/p\u003e\n\u003cp\u003eThe March 22 magazine cover of the men at the cannon is illustrated by L. A. Shafer while Charles Sarka did the cover art of Uncle Sam between a soldier and marine for the March 29 magazine. The perfect gift for lovers of Americana and history buffs!\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":6875603075126,"sku":"","price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Leslies_1917_magazine_American_Uncle_Sam1.JPG?v=1571438449"},{"product_id":"1910s-ww1-american-liberty-loan-propaganda-set-of-3","title":"1917-1918 WW1 American Victory Liberty Loan (set of 3)","description":"\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e 1917-1918\u003cbr\u003e\u003cb\u003eSize: \u003c\/b\u003etwo smaller posters measure 11 x 14 inches; larger \"Don't Forget\" poster is 11.5 x 17.5 \u003cbr\u003e\u003cstrong\u003eArtists:\u003c\/strong\u003e Unknown\u003c\/p\u003e\n\u003cp\u003e\u003cspan itemscope=\"\" itemtype=\"http:\/\/schema.org\/Article\"\u003e\u003cspan itemprop=\"articleBody\"\u003e\u003cspan style=\"font-family: Arial;\" face=\"Arial\"\u003eIn 1917 and 1918 the US Government raised money to help finance the war by selling Liberty Bonds, so named to appeal to the patriotism of Americans. By buying the Liberty Bonds, Americans were loaning the government money. The US government agreed to repay the money plus interest in a specified number of years. \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan itemscope=\"\" itemtype=\"http:\/\/schema.org\/Article\"\u003e\u003cspan itemprop=\"articleBody\"\u003e\u003cspan style=\"font-family: Arial;\" face=\"Arial\"\u003eBy the end of the Great War, the US Government debt was more than $25 billion, and it is posters such as these which helped motivate people to invest their money into their government. Sometimes specific projects were advertized (such as \"You must help to build the bridge\"), other times an image of someone was used to guilt others into lending money (like mothers and children, or wounded soldiers - like here), and occasionally the ads just flat out asked for money (\"Don't forget... you are asked to LEND your money...\"). \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePosters are in great condition for their age, with slight signs of discoloration or wear around the corners. \"You must help to build the bridge\" and \"You... Finish the job\" both measure 11 x 14 inches, while the colorful \"Don't Forget\" poster measures 11.5 x 17.5 inches. The perfect gift for lovers of Americana and history buffs! \u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":6879318933558,"sku":"AMER0002","price":250.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Must_Help-Finish_the_Job-Don_t_Forget1.JPG?v=1571438449"},{"product_id":"1928-la-presse-newspaper-sheet-grands-gestes-29-decembre","title":"1928 La Presse Newspaper Sheet, Grands Gestes (29 decembre)","description":"\u003cp\u003e\u003cstrong\u003eDate: \u003c\/strong\u003e29 december\u003cstrong\u003e \u003c\/strong\u003e1928\u003cstrong\u003e\u003cbr\u003eSize: \u003c\/strong\u003e10.5 x 16.5 inches (image only),\u003cstrong\u003e \u003c\/strong\u003e18 x 24 inches (with mat)\u003cbr\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e JOB\u003c\/p\u003e\n\u003cp\u003eThis original print is from a vintage edition of La Presse, a Canadian newspaper. It was founded in 1884, as it recently went digital, this piece is really quite the find! It was illustrated by JOB and the caption below details the origin and evolution of \u003cspan class=\"st\" data-hveid=\"44\" data-ved=\"0ahUKEwi73rqQ3qvaAhUjh-AKHYTPDncQ4EUILDAA\"\u003eA bayonets (from French baïonnettes). They are a bladed weapon similar to a knife or short sword, or spike-shaped weapon designed to fit in, on, over or underneath the muzzle of a rifle, musket or similar firearm, augmenting the firearm to allow use as a pike. The short article traces the history of bayonets through Madagascar, Holland, and France. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMatted and ready to frame, we feel it would be a fabulous addition to a chalet or country house and would, of course, be a great souvenir for anyone from (or visiting!) our beautiful city. \u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Poster","offer_id":6984111620150,"sku":"MATT0045","price":125.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/29_decembre_1928_-_grands_gestes1.JPG?v=1571438451"},{"product_id":"1970s-black-and-white-photography-exhibition-poster-set-feininger-lee-doisneau","title":"1970s Black and White Photography Exhibition Poster Set - Feininger, Lee, Doisneau","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e\u003cspan\u003e1976\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSize:  \u003c\/b\u003e16.75 x 24 inches\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e\u003cspan\u003e Feininger, Andreas\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate: \u003c\/b\u003e1970s\u003cbr\u003e\u003cb\u003eSize:  \u003c\/b\u003e18 x 23.75 inches\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e\u003cspan\u003e Lee, Russell\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eDate: \u003c\/b\u003e1970s\u003cbr\u003e\u003cb\u003eSize:  \u003c\/b\u003e22 x 18 inches\u003cbr\u003e\u003cb\u003eArtist:\u003c\/b\u003e Doisneau, Robert\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Posters\u003c\/strong\u003e: Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was a French-born American black-and-white photographer known for his documentation of New York. With an acute interest in structure, Feininger rarely photographed people and portraits; he instead focused on science and nature, photographing phenomena like shells, minerals, and plants, amongst other things.\u003c\/p\u003e\n\u003cp\u003eIllinois-born artist Russell Lee was a documentary artist initially trained as an engineer and a painter. Though his interest in photography began in 1935, it is his later work which gave him his reputation; this work included aerial surveys for the Air Transport Command and military life during World War II, his controversial study of Spanish-speaking people in Texas, and his political work for the \u003cem\u003eTexas Observer\u003c\/em\u003e. Unlike the artistic life one might imagine for a photographer, it is Lee's government-work in the Farm Security Administration that is most renowned.\u003c\/p\u003e\n\u003cp\u003eRobert Doisneau was a 1930s French photographer beloved for the pictures he took on the streets of Paris. His depictions of Parisian society capture the French urban spirit in captivating and often humorous detail. His work is at once thought-provoking and nostalgic, and Doisneau is known for championing the humanist style of photography. Doisneau was appointed a \u003ci\u003eChevalier\u003c\/i\u003e (Knight) of the Legion of Honour in 1984.\u003c\/p\u003e\n\u003cp\u003eThese posters are in excellent condition, each from a photography exhibition for each of the artists. They make a wonderful set together in their depiction of various scopes of camera detail. Their minimalist design is striking and versatile, well-suited for any room and colour-palette.\u003c\/p\u003e","brand":"L'affichiste","offers":[{"title":"Default Title","offer_id":7059382501430,"sku":"AB07","price":450.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/products\/Three_BW_photographs_Feininger_Doisneau_Lee1.jpg?v=1571438453"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/7532\/collections\/81AVObsfIrL._AC_SX522.jpg?v=1777304328","url":"https:\/\/www.laffichiste.com\/collections\/politics-war.oembed","provider":"L'Affichiste","version":"1.0","type":"link"}