Size: 15.5 x 15.5 inches (matted)
Artist: Willette, Adolphe Leon
About The Poster:
This lovely magazine illustration was created by Adolphe Leon Willette (1857-1926).
The subdued colors and intricate detailing of this work make it a unique addition to any poster collection - we like the black and white tones of this drawing. The Fortune depict a beautiful scene; we can see an angel like figure giving good luck "Fortune" to the young cyclist. He is seizing this opportunity with joy which we can see in his gaze and gesture.
"Willette was born in Chalons-sur-Marne. He studied for four years at the Ecole des Beaux-Arts under Cabanel, training which gave him a unique position among the graphic humorists of France. Whether comedy or tragedy, dainty triviality or political satire, his work is instinct with the profound sincerity of the artist. He set Pierrot upon a lofty pedestal among the imaginary heroes of France, and established Mimi Pinson, frail, lovable, and essentially good-hearted, in the affections of the nation. Willette is at once the modern Watteau of the pencil and the exponent of sentiments that move the more emotional section of the public. Always a poet, and usually gay, fresh, and delicate, in his presentation of idylls exquisitely dainty and characteristically Gallic, illustrating the more 'charming' side of love, often pure and sometimes unnecessarily materialistic.
Willette frequently reveals himself bitter and fierce, even ferocious, in his hatreds, being violent though at the same time a generous partisan of political ideas. Furiously compassionate with love and pity for the people whether they are ground down under the heel of political oppression, or are merely the victims of unrequited love, suffering all the pangs of graceful anguish that are born of scornful treatment. There is charm even in his thrilling apotheosis of the guillotine, and in the introduction into his caricatures of the figure of Death itself. The artist was a prolific contributor to the French illustrated press under the pseudonyms 'Cemoi,' 'Pierrot,' 'Louison,' 'Bebe,' and 'Nox,' but more often under his name.
He illustrated Melandri's Les Pierrots and Les Giboulles d'avril and had published his own Pauvre Pierrot and other works, in which he tells his stories in scenes in the manner of Busch. He decorated several 'brasseries artistiques' with wall-paintings, stained glass, &c., notably Le Chat Noir and La Palette d'Or, and he painted the highly imaginative ceiling for La Cigale music hall. His characteristically fantastic Parce Domine was shown in the Franco-British Exhibition in 1908.
This piece is in excellent condition and was recently professionally matted. Ready to be framed!